In the second half of the 1990s he developed a concept, whose results can be seen in third main topic „LANDSCAPE“.

As a result of searching experience of immaterial reality, not only as place or arena, but also as territory, continent and universe the phenomenon of world pictures became relevant and question of their reality became inevitable.

The entire spectrum of assumptions, ideas and claims about what is reality as well as perspective, progressive, hierarchical life view models and comprehensive paradigms that determine zeitgeist are the topic: World picture is recognized as view of life, up to the concept of ideology.

The problem, which he wanted to solve by painting, was nothing less than the problem which arises from the question of “What is reality? Definitely a task that is doomed to failure.

But the quality of this failure and the fact that certain kinds of failures feel good are astonishing. Maneuvers, that was applied in different pictures of this series, are determined definitely from fundamental instruments, picture -happened
Concentration on possibilities of parameters : Abstraction- drawing, symbol- and code.
His painting was hitherto free from literary ambitions. To tell histories with pictures or to comment literary were always overkilled.

From thorough experience of immaterial reality (not only as a place or arena, but also as a landscape, continent and universe) the phenomenon of world pictures became relevant and the question of their reality inevitable. In order to attain an exciting, profound and easy way of exploration and application of possibilities of the parameters mentioned above, he saw himself forced to resort to literary
He found them in the form of documentary photos which commentate the happenings of the 20th century.

So most felicitous paintings of these work groups emerge in random appearance, apparently exclusive liable to picturesque autonomy.
With longer examination, specific histories of these models will be acutely of diffuse style and manner practical. Literary content of photos from events of the day affects like background noise, like echo of any history Basically this phenomenon is interested.

So in the best results of his last main topic “LANDSCAPES”, whose reality and nature are clearly expended by the dimensions of “INSIDE”. If science defines the reality with dimensions: lenght. height, width and space, art endeavours always to express the 5th dimension, possibility of interior experience.

Realism or naturalism without the dimension of INSIDE, subjectivity, reality of spirit and mind, is neither imaginable, let alone plausible. „INSIDE“ is the essential part of paintig, that revisualized here.

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